Week of October 31, 2021
Listening selections for the week of October 31, 2021—featuring the latest from Jarvis Cocker, Helado Negro, Ibibio Sound Machine and more—best enjoyed with Coffee Collective's Daterra Espresso, for rich and creamy notes of dark chocolate and nuts.
Streaming Links:
Highlights include:
A spooky, Bach-quoting Franco pop cover from Jarvis Cocker’s tie-in to the soundtrack for Wes Anderson’s The French Dispatch
Bubbly electronic pop from Helado Negro’s new record Far In
Ibibio Sound Machine’s thrilling new collaboration with Hot Chip
The life-giving sound of the djembe, harnessed by one of its modern masters: Weedie Braimah
Woozy jazz fusion from Chelsea Carmichael’s sprawling The River Doesn’t Like Strangers
The elastic opener from my favorite Sly & The Family Stone record Fresh
The return of drum'n'bass through Zoomer ambassador PinkPantheress
A dreamy house jam from Anz
New hooky grunge-gaze from Midwest indie rock outfit Slow Pulp
A shimmering slow burn from The Shivas’ fantastic Feels So Good // Feels So Bad
The 2020 polished return of trancecore enthusiasts Enter Shikari
The satirical first single from art-damaged Brooklyn band Bodega’s Broken Equipment, due out March 11, 2022
A bouncing, sunny synth pop gem with a tempo change to die for from Black Marble
Shapeshifting experimental indie from Yeasayer’s Anand Wilder
Funky, harmonic bliss from BARDO’s EVERYWHERE REMINDS ME OF SPACE
The Chayla Hope Choice Find of the Week: the splendiferous opening cut from Jake Wesley Roger’s new EP Pluto
A dissonant, yet melodic highlight from Low’s new HEY WHAT
Another of the endless jangle pop highlights on Ducks Ltd.’s Modern Fiction
Mathy old school indie from Good Morning’s latest Barnyard
The best cut from slowcore-descended duo Hovvdy’s warmest collection of material to date
The return of alt-county vibes on Mac McCaughan’s captivating latest
A new icy, post punk single from Nation of Language’s forthcoming A Way Forward, out November 5
Drowsy, nostalgic soul from Sam Evian’s excellent new Time to Melt
Resplendent, genre-bending indie from Katie Schecter’s Bad for Business
The knotty yet breezy opening cut from Tonstartssbandht’s Petunia