The Marías’ CINEMA
CINEMA is an expansive, yet intimate debut that vividly realizes the The Marías’ bedroom pop vision.
Okuté’s Okuté
Okuté’s Afrocentric conceptualization of Cuban music is an aesthetic and musical achievement that illustrates the raw, rhythmic power of rumba for a new generation of listeners.
The Avalanches’ Since I Left You (20th Anniversary Deluxe Edition)
The Rosetta Stone for sample-based music, The Avalanches’ mastery of music as a medium to connect maintains Since I Left You as one of the most affecting and vital works of dance music ever produced.
King Gizzard & The Lizard Wizard’s Butterfly 3000
Butterfly 3000 finds King Gizzard & The Lizard Wizard taking yet another creative leap, embracing synthesizers like never before to produce a bright and breezy brand of dream pop.
black midi’s Cavalcade
Intentionally designed to discombobulate, black midi’s Cavalcade is a mind-expanding listen that’s spontaneity excites just as often as it confounds.
Pastel Coast’s Sun
Bright and transporting, Pastel Coast’s Sun employs muted textures to conjure dreamy pop atmospheres perfect for everyday moments of quiet contemplation.
UV-TV’s Always Something
On their third full-length effort, UV-TV find exciting new ways to refract sugary pop melodies through jangling guitar riffs and enveloping shoegaze ambience.
Dave Holland’s Another Land
A joy to behold, Another Land is one of the year’s best and grooviest jazz releases, continuing double bassist Dave Holland’s rich legacy of contributions to the fabric of the genre.
Summer School’s Moments of Clarity
Reflective and consistently gratifying, Moments of Clarity further perfects Summer School’s groovy brand of dark disco introspection.